The latter is so mad about cricket that he is interested in watching a match than crying over his father's death. We are then told the story of Kausalya aka Kausi (Aishwarya Rajesh) and her father Murugesan (Sathyaraj), a farmer. The film begins with a local cricket match that gets interrupted after the two teams get into a fight. Right from the opening scene, Arunraja gives equal importance to both these conflicts in his story and often resorts to cross-cutting between the two parallel plots, which beautifully merge at the climax to deliver an effective punch. In fact, it is this mashup of genres that sets Kanaa apart from other sports dramas. But, sweet surprise! The director manages to pull this off quite convincingly. This might seem like a weird crossover, especially when the underdog angle itself has women empowerment as a message.
KANAA MOVIE REVIEW MOVIE
And on the other, he gives us a message movie that talks about the importance of farming. On one hand, he gives us a sports movie about an underdog winning against odds. Directed by Radha Mohan, the film stars Jyothika and Vidharth in lead roles.With Kanaa, Arunraja Kamaraj, who makes his debut as a director, hits two birds in one stone. Kaatrin Mozhi traces the journey of Vijayalakshmi from being a homemaker to hosting a late-night show at a radio station. This movie is directed by Arunraja Kamaraj and produced by his friend and actor Sivakarthikeyan's SK Productions. She then faces various challenges as she pursues her dream with the support of her father. Aishwarya Rajesh, who is a farmer's daughter, dreams of becoming an international Indian cricketer and winning the Cricket World Cup for the country. Kanaa is one of the few Indian films helmed on the backdrop of women’s centric. Irudhi Suttru was directed by Sudha Kongara received great reviews from critics and audiences. Ritika Singh played the role of a boxer in the film, and she fights hard to win the World Boxing Championship under the guidance of Madhavan. The film follows the story of a former boxing coach, who finds a potential boxer in a fisherwoman. 36 Vayadhinile was a comeback film of Jyothika after her wedding and she won Filmfare Award for Best Actress for her role in the film. The film was directed by Rosshan Andrrews, while the screenplay was done by Bobby Sanjay. It featured Jyothika in the lead role, while Rahman and Abhirami play supporting roles. The film story revolved around, a married woman, who has set aside her dreams for the sake of her husband and daughter, rediscovers her true self and becomes an achiever. Keerthana played the adopted daughter of R Madhavan and Simran in the critically and commercially acclaimed film. It is one of the few Tamil films to dive deep into a relationship between mother and daughter. Released in 2002, Kannathil Muthamittal was directed by Mani Ratnam, and the original story is written by Sujatha Rangarajan. Today, we look at five such must-watch women-centric movies. In the last couple of years, Kollywood has seen a phenomenal rise in the number of women-centric films. Simran, Jyothika, Aishwarya Rajesh and other Tamil beauties have proved that a film headlined by a heroine has the capability to win at the box office.